Architectural Designs for the Brain Opera


by Ray Kinoshita


To me, the Brain Opera posed a particular challenge to integrate electronic technology into a spatial, tactile, and artistic environment. Computers, as sophisticated and powerful as they are, are still trapped in a rather stodgy interface of wires, boxes, and screens. We are only beginning to create a physical freedom of interaction with the computer that will someday be completely natural. The first step towards this freedom (in the Mind Forest) was to create a magical forest of steel trees that shoves all the boxes overhead, and creates a field of tantalizing dangling objects that offer explorations and expressions of musical sound. The environment is a meshing of physical objects, light, image projection, and acoustics. Raw steel, silicone rubber, and coated meshes provide the appropriately material-yet-immaterial stuff of the Brain Opera forest. In the Performance Space, similar materials are used, and a large undulating backdrop for image projection is added immediately behind the grouped performers and their steel trees so that space of physical and visual interaction for the performers is intensified.



Go back to the main archive page.


webmaster@brainop.media.mit.edu